reddening west – deltas

– featured image courtesy of nicola gell –

the diligence of reddening west cannot be overstated.  the austin-based quartet has toiled for the past couple of years over their self-released debut full-length, deltas, its vibrant swaths of americana a sprawling, existential treatise on the inherently transitory nature of life, honing a particularly fastidious approach to their songwriting and cinematic arrangements in the process.

anchored by the lead single, “even if” and its opening number, “marjorie,” deltas finds reddening west picking right up where their 2016 extended play, where we started, left off, with spacious vistas punctuated by niamh fahey’s swooning fiddle textures and matt evans’ soaring vocal melodies.  on the early standout “holding hours,” evans paints a bucolic backdrop for his pondering, with syncopated guitar lines and back-beats rolled together, in search of an apex never quite discovered.  “different now” finds evans waist-deep in reverb, again weaving observations of personal change through pristine turns of phrase and beautiful imagery.

the majesty of deltas is contained in its sweeping gestures as much as it is in its most minute intricacies; the palate-cleansing instrumental “inverness” is doused in nuance and contrapuntal wonders, a perfect segue to the album’s extended third act.  the penultimate cut “diffuse” is especially affecting and tender, its propulsive nature the perfect foil for the album’s finale, “late summer grass,” itself a vivid and measured punctuation mark on reddening west’s rich, slow-burning debut.  full of nooks and crannies ripe for exploration and vast canyons of elegiac introspection, deltas is a perfect autumnal vessel, a fine companion for changing times.

deltas is out tomorrow, available via reddening west’s bandcamp page, but you can experience it in its entirety a bit early right here on the dimestore.  tuck in below.

 

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