bodywash – “eye to eye”

– featured image courtesy of the artist –

the montreal quintet bodywash occupy a hazy realm of polychrome, where smears of shoegaze collide with bubbly synths and vocal tandems that sound like they’re delivered from the bottom of a thirty-foot well.

the band has its roots in the creative partnership between chris steward and rosie long decter, forged in 2014 when the two were students at mcgill university; since recording an EP in 2016, bodywash has swelled to its current size while working on their debut full-length, comforter, due later this year.

on “eye to eye,” the first taste of comforter, tag-team a lead vocal that has a tendency to burrow into the greater texture of the track, an end result that feels like dusk settling in on a humid summer’s day. a guitar line faintly echoes the chorus’s vocal melody, its second iteration a precursor to a transportive instrumental bridge that fleshes out the seamless nature of bodywash’s sonic communications.

bodywash have recently joined the ranks of luminelle recordings, who will release comforter at some point in 2019. for now, take in “eye to eye,” below.

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erin durant – “islands”

– featured image courtesy of sarrah danziger –

remember erin durant come year’s end. the new york-based songwriter has been releasing a steady stream of impressive singles in anticipation of her forthcoming album, culminating in the recent unveiling of its title track, “islands.”

framed around durant’s clear-eyed piano progression, “islands” is vivid in its introspection; when a soft choral echo emerges halfway through its six-minute duration, the track blooms into something radiant, more than the sum of its various lilting components.

islands, produced by TV on the radio’s kyp malone, arrives june 21st via the austin, texas label keeled scales. listen in on its title track below.

crumb – “ghostride”

– featured image courtesy of salim garcia –

the brooklyn-based quartet crumb has been honing a vaguely psychedelic, undeniably infectious repertoire for the past few years, one with roots in lila ramani’s songwriting but that’s blossomed into an effortless collaborative venture. on june 14th, the band will self-release jinx, their first full-length that serves as a logical conclusion to a stellar pair of extended plays.

on “ghostride,” ramani’s stuttering, warped vinyl guitar motif dictates the mood, heralding a deep-pocketed two-minute groove populated by a wobbly synth line and an ethereal stream of consciousness. joining predecessors “nina” and “part III,” “ghostride” is another strong indication of the import of jinx, one that gently demands to be in heavy rotation. listen in below.

black belt eagle scout – “half colored hair”

– featured image courtesy of eleanor petry –

there’s a quiet intensity that permeates throughout mother of my children, the debut full-length from portland’s black belt eagle scout that saw a re-release last fall, courtesy of saddle creek records. woven through its eight tracks are visceral examinations of queer, indigenous identity that grapple with personal loss and erasure, its sparse structures periodically blossoming into cathartic, towering walls of noise.

katherine paul, the beating heart behind black belt eagle scout, thankfully had more exquisite material at her disposal; last friday saw the release of a new 7” single, “loss & relax” b/w “half colored hair,” songs that grew out of the mother of my children sessions.

in contrast with its sturdier, heavier a-side, “half colored hair” finds KP occupying a more tender realm, the soft pulse of a floor tom thrumming beneath the faint chords that accompany her gentle love song. a simple sentiment turns on a mantra derived from the song’s title, with paul repeating “i never knew i’d like half colored hair so much / but in the light” as keyboard pads bloom into the foreground, an aural reflection of a promising relationship.

“loss & relax” b/w “half colored hair” is out now via saddle creek. listen to its b-side below.

con davison – “sofa bed”

– featured image courtesy of the artist –

after an impressive inaugural solo outing with last fall’s far off distant plans, con davison has wasted little time delivering a follow-up. “sofa bed” finds the st. paul musician, perhaps most recognizable for his work behind the drum kit in bad bad hats, further solidifying his songwriting chops; davison excels at effortless vocal melodies, focusing here on one that ascends towards the stratosphere, momentarily tumbling before hitting a gentle falsetto range.

paired with a subtly syncopated foundation and a fuzzy, angular riff, “sofa bed” appropriately feels like con davison in his most fully-realized state yet, one that will inevitably shift as he refines his craft. while we look forward to the prospect of more music from davison this year, “sofa bed” sates a collective appetite for the time being. dive in below.

premiere – clay beds

– featured image courtesy of adrian estrada –

the tacoma, washington duo clay beds have found a fitting home for their self-titled debut release in hush hush records, the seattle purveyor of nocturnal music that flitters between electronic, pop, and ambient.

for proof, look no further than the project’s second single, “apple pie,” which finds the duo – boston transplants john anderson and hailee rogers – navigating an aqueous, gauzy choral landscape populated by reversed swells and percolating keyboard motifs. a potent snapshot of things to come from clay beds, “apple pie” pairs well with its predecessor “one old horse in the dirt and sun,” offering a pensive glimpse at the duo’s more atmospheric side.

clay beds is due march 29th on cassette and digitally via hush hush. listen to “apple pie,” premiering right here on the dimestore, below.

kate teague – “in our element”

– featured image courtesy of ben davis –

the oxford, mississippi-based singer-songwriter kate teague continues her impressive streak of singles with “in our element,” delivered on the eve of her inaugural voyage to SXSW.

on “in our element,” teague’s lead vocal swoons in tandem with a melancholic guitar counter-melody, the ends of phrases evaporating in wisps of echo and solidifying the track’s slow-burning aesthetic. it’s another notched victory for teague, who keeps sharpening her songwriting chops with every new single and stoking anticipation for the day her full-length finally arrives.

“in our element” is out now via muscle beach records. take a listen below.

sun june – “monster moon”

– featured image courtesy of the artist –

after a memorable debut campaign last year, the austin quintet sun june are positioning themselves for a victory lap in 2019; their impeccable full-length years will see a second pressing via keeled scales later this month alongside a new four-song extended play, younger.

on “monster moon,” one of two brand-new cuts that feature on younger, sun june float in the ether of laura colwell’s lead vocal, a robust low-end foundation pairing with washed-out guitar chords and melodic flourishes. the track’s soul-infused core reaches its apex in the third and final minute, the aural output of all five members coalescing in a warm collage of sound.

listen in on “monster moon” below.

premiere – caicos

– featured image courtesy of the artist –

last summer, alex frenkel released promised lands, his first effort under his caicos moniker, a vibrant debut that fused electronic soundscapes with frenkel’s signature guitar playing and vocals. it appears he had more left in the tank; a five-song extended play, dream machines, is due out this spring.

on “genesis,” the EP‘s opening number and lead-off single, palm-muted motifs skitter off of compressed electronic backbeats and acoustic guitar chord progressions, an organic foundation warmed by frenkel’s conversational baritone.

his lead vocal sits comfortably in the foreground, gradually enveloped by the accompanying arrangement until the very final moments, when most timbres exit stage left and frenkel remains with a surprisingly tender sentiment to deliver. an initial glimpse into a project that shows the measured progression of an incredibly assured songwriter, “genesis” is a placid cut, particularly well-suited for chilly days that require a bit extra aural warmth.

dream machine is out may 31st via very jazzed. listen to “genesis,” premiering right here on the dimestore, below.

premiere – bill waters

– featured image courtesy of the artist –

william smith is real; bill waters is a character. the hudson valley singer-songwriter first slipped into the chronically tired persona on 2017’s excellent extended play humid, and is sitting on a companion piece of sorts, honey hi, due next month via the esteemed forged artifacts.

conceived in waters’ home studio below a brooklyn bar, the six-song collection embodies an appreciation for the pop songwriting tenets of the late 1960s and early 1970s, turning on pensive themes of romance and existence and funneled through jangly mid-tempo melodies.

on “it’s true,” the first glimpse of honey hi, waters and his percussive compatriot ian dwy sculpt an ambling five-minute centerpiece musing on relationships, its spritely drums and shaker slotting behind a woozy slide motif that winds throughout the track. a minute of respite kicks in at the end of the lead vocal, the duo biding their time before building a comparatively agitated extended outro, sustaining for some time and driving home the thesis that these tunes are meant to be felt more so than understood.

honey hi arrives march 29th; listen to “it’s true,” premiering right here on the dimestore, below.