grebes – house creature

– featured image courtesy of malcolm donaldson –

house creature, the debut effort from jacob ungerleider’s new solo project, grebes, is an intimate affair. across a sparse setting of eight songs, ungerleider navigates a more muted realm of pop, one populated by soft vocal hooks, enveloping synthesizers, and faint percussion.

the album’s opening third houses its singles; “one trick pony” is the syncopated prelude providing misdirection before “wyd” and “beleev” land, each of which use synths as means to subtly different ends.

“crown” and “halo” function as similar complements, another indication of ungerleider’s attention to thematics and sequencing. “halo” is the more fleshed-out of the two, easing in to a smooth backbeat punctuated by a lead vocal that flirts with falsetto and a crystalline synth motif that wanders in and out of the foreground.

the final section of house creature begins with an about-face: “always home” trades electronics for delicate, finger-picked acoustic guitar, an organic palette for ungerleider’s whispered vocal that’s eventually answered by a soulful, brassy countermelody. with “plum” and the standout closer “always new” in tow, house creature leaves its mark as an exemplar of introspective isolation, an aural companion for late nights of solitude.

house creature is out now via broken circles. listen in below.

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